Sony Pictures Classics has landed worldwide rights to “Don’t Let’s Go to the Dogs Tonight,” a dramatization of Alexandra Fuller’s memoir about growing up in the Rhodesian civil war.

The film, which premiered at the Telluride Film Festival and also screened at Toronto, was written and directed by Embeth Davidtz, marking her directorial debut. Davidtz, best known for her roles in “Schindler’s List,” “Matilda,” “Junebug” and “Bicentennial Man,” also portrays the mother of the main character (a fictionalized version of Fuller).

Set in 1979 and 1980, “Don’t Let’s Go to the Dogs Tonight” follows 8-year-old Bobo, who lives on her family farm in Rhodesia (now Zimbabwe) at the end of the Zimbabwean War for independence. As described in the official logline, “Growing up in the midst of this long running war, Bobo internalizes both sides of the struggle. Conflicted by her love for people on opposing sides, she tries to make sense of her life in a magical way. Through her 8-year-old gaze we witness Rhodesia’s final days, the family’s unbreakable bond with Africa, and the deep scars that war leaves on survivors.”

Davidtz, who was born in the United States but grew up in South Africa, acquired the rights to the memoir eight years ago. She penned the screenplay and opted to film in South Africa, assembling an entirely South African cast and crew, including newcomer Lexi Venter as Bobo, who was chosen after a comprehensive search. According to the press release, Davidtz sought an untrained actor to ensure the central character's portrayal remained genuine. The cast also features Zikhona Bali, Fumani N Shilubana, Rob Van Vuuren and Anina Hope Reed. Helena Spring, Paul Buys and Davidtz served as producers while Anele Modada acted as executive producer.

“I am delighted to be collaborating with Sony Pictures Classics to bring ‘Don’t Let’s Go to the Dogs Tonight’ to global audiences,” says Davidtz. “I previously worked with them on ‘Junebug’ and witnessed their dedication and expertise in bringing that film to the world. It's like a dream come true that they are now distributing my screenwriting and directorial debut — a feat I never could have envisioned back then. This film is a tribute to all those who have navigated through challenging historical periods.”

Sony Pictures Classics described Davidtz as a triple threat — “a formidable director, screenwriter, and actress” — and commended Venter's acting abilities. “‘Don’t Let’s Go to the Dogs Tonight’ is a compelling, fully realized cinematic experience that is exquisitely directed and showcases one of the most exceptional child performances you will ever encounter,” the company stated.